Black masculinity thesis
From: Melissa E.
Category: right thing
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A truly radical counterhegemony can only be realized by disassociating both blackness and manhood from capitalist registers of worth. Jordanna Matlon. Reproduced under fair use copyright. The man is branded. The portrait is a searing critique of what its creator, artist Hank Willis Thomas, calls a commodifiable blackness. Branded, he becomes recognizable—yet in a way that accepts commodification as the source of his identity.
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For many years, black males have been betrayed to be these violent, sexual human beings and this has made it difficult for black males to get in touch with their humanity. To be able to have sex with as many girls as possible or to be this tough figure all the time, does that really make you a man? Black males have historically been associated with thugs, gangsters, and pimps. These are negative images that society portrays young black men. To some degree the media to blame for that and our youth because the radio and the T. Wars have been started because some individual wanted to expand his power over others.
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This special issue contributes to studies of Black masculinities by centering the matter of vulnerability. It expands concerns about vulnerability in black masculinities studies from more spectacular forms of violence to consider the interior lives of Black masculine subjects and more quotidian and privatized forms of violence and violation. Through historical and contemporary examples that engage the fields of visual culture, animal, literary, performance, Black feminist, and Black queer studies, these contributions consider how masculinity is made or unmade by blackness and through the ubiquitous threat of gendered forms of anti-Black violence. Together, these contributions expose histories of anti-Black, misogynist, and homophobic violence, while imagining alternative modes of masculinity, blackness, and post human agency and subjectivity. The essays in this volume are appropriate for specialists and graduate students, as well as the general public.
A curation of articles, essays, book reviews and interviews on critical geographical concerns. Jared Sexton's new book "Black Masculinity and the Cinema of Policing" moves beyond a traditional critique of respectability politics to interrogate how Hollywood films make invisible global structures of anti-blackness through narratives of black incorporation and authority. Policing in this book refers not only to institutions of law enforcement but also to social and cultural practices which seek to adjust and reform expressions of black masculinity. These institutions generate black subjects who appear to transcend beyond the structural barriers of anti-black racism in order to occupy positions of authority, while at the same continuing to legitimize and uphold the very same structures that administer this social order.
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